Self. 7.16.12
Recently Opened:
“Circulation: Date, Place, Events”
Takuma Nakahira
Yossi Milo Gallery, 245 Tenth Ave., NYC (bt W24th & W25th St)
first...
Khayelitsha, Cape Town - Anton Crone via Miss Moss
“The slums near Manila Bay are unhealthy enough—the Ulingans live next to a rubbish dump,” writes Reportage photographer Lisa Wiltse. “But the...
littlechien posted this
por Jessica Fortner
Holy smokes friends, LEGO-building just reached a whole new level of awesomeness. This is a life-size model of a Star Wars X-Wing Fighter and it...
I’m doing a lot of photo restorations lately and I’m hoping I could possibly get a Photoshop based job in NYC this summer. Anyways, I rediscovered...
243 posts tagged typography
The Genocide Project MA Final Project / Central Saint Martins - Hila Ben-Navat
The purpose of the project was to explore the meaning of Genocide In modern times. I examine the term and its uniqueness and discuss the circumstances to the creation of the phenomenon and the possibilities of its prevention.Through the project I mapped out 10 of the most significant cases of genocide that has taken place in the past 100 years. I discuss the narrative and characteristics of each case, and its implications on society today. - Hila Ben-Navat
»just in time« by anatol knotek
Crisis Poster.
Hazlo más grande hasta que pierda su sentido.
Do it bigger until it loses its meaning.
www.danielvazquez.net
»too small to be great literature« by anatol knotek
have a look at my little unique chapbook (which can be purchased too)
Hobb - Algerian Artist Zoulikha Bouabdellah
Love is a desire almost as constant as the need to speak about it. For centuries, the Arabic language has forged a vocabulary specifically to describe the diversity of love. The language of eroticism was celebrated in ancient texts as the ideal way to have a liberated body, sensuality and pleasure. However, the end of this golden age gave way to a schizophrenic use of Arabic. Limited, circumscribed and moralized, it has now become, writes the Syrian poet Salwa Al Neimi, the “tomb of the loving feeling.”
LOVE is developed as a mechanical wall installation with the word itself repeated as an instinctive and spontaneous response to this quasi censorship. The variation around the single word “love” in this work demonstrates how it has come to mean beauty, body, sex, sexual pleasure and forbidden and dissatisfying love. - ZB
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