Posts I like
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RIP Ray Manzarek, the key to the Doors. illustration by Jean Jullien, read the related article
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By Sainer from ETAM Crew, Poland.
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Patricia March (Spain) - Lo sutil en lo invisible
Patricia March is a Spanish artist based in Valencia, for whom the time is something like...
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Back in London. Another wall in in progress. Day 3 I think. Hope the weather holds out…
#reka #rekaone #streetart #london #mural #workinprogress -
You can’t NOT reblog this. It’s like the Tumblr After Dark/Night Blogger Logo. It’s like our fucking Bat signal.
Tag Results
175 posts tagged mixed media
![thehammermuseum:
Self Portrait as Superman | A digital complement to LLYN FOULKES
In the early 1980s, Foulkes began to experiment with dimensionality and started to develop the construction paintings even further, treating them as a stage, building out but also pushing back, creating an illusion of depth within the picture. “The Cowboy” takes us back to the 1950s with a tale of a little boy who wanted to be a cowboy “just like the Lone Ranger,” who turns up in Foulkes’s painting The Last Outpost (1983).
[Llyn Foulkes. The Last Outpost, 1983. Mixed-media assemblage. 81 x 108 x 5 in. (205.7 x 274.3 x 12.7 cm).]
Post 58](http://24.media.tumblr.com/5a4734d0ce177bf1074f6a330fa4b87d/tumblr_mkyoiuvF3g1rc7jtqo1_500.jpg)
Self Portrait as Superman | A digital complement to LLYN FOULKES
In the early 1980s, Foulkes began to experiment with dimensionality and started to develop the construction paintings even further, treating them as a stage, building out but also pushing back, creating an illusion of depth within the picture. “The Cowboy” takes us back to the 1950s with a tale of a little boy who wanted to be a cowboy “just like the Lone Ranger,” who turns up in Foulkes’s painting The Last Outpost (1983).
[Llyn Foulkes. The Last Outpost, 1983. Mixed-media assemblage. 81 x 108 x 5 in. (205.7 x 274.3 x 12.7 cm).]
Post 58
Lauren van Helmond’s creates three-dimensional illustrations inspired by observations and insights into every day life that add humour to commonplace situations. She works with a range of mixed media, including found objects, transfer printing and paint.
Lauren’s work provides a glimpse at her hoarder nature through the use of her eclectic materials and eccentric subject matter and it’s this attention to detail that invites the viewer to take a second look.
Lauren’s work is currently being exhibited at the RBSA Galleryin Birmingham in the ‘Automatic People’ exhibition until November.
