Posts I like
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Ricettario: A Balanced Diet by Karsten Wegenerto and Elena Mora
Playful sculptures presenting a visual reminder to keep a healthy and balanced...
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>Junk food on fire: new photo series by Henry Hargreaves
Henry Hargreaves is a fine one indeed. It looks like he’s on a roll destroying...
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Takashi Murakami @ #GaleriePerrotin 2013
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Yesterday we had the utmost pleasure to join Kenny Scharf in his East Williamsburg studio. Here are some of the highlights from his first floor...
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Contingent Continents: The World Over
Hundreds of ants industriously eat away at a map of the world in Rivane Neuenschwander’s video work, ...
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This will be a mini-series, I think. Well, depending on how the story progresses.
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MIT edX: Classical Mechanics with Walter Lewin
8.01x is an online version of Classical Mechanics, which is the first of MIT’s introductory...
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Astounding Tilt-Shift Perspectives of World Monuments!
Anyone who’s traveled to popular touristic sites knows the feeling of...
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For his 2012 TED Talk, 365 days after he initiated the Inside Out project, French artist JR was asked to answer the question “Can art...
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Tag Results
154 posts tagged Animation
“Moi le loup et la cabane” - Teaser ! from Matthieu Perret
“Moi le loup et la cabane”. Auteur : Delphine Perret Editions Thierry Magnier
Elsewhere - Martin Arnold - Martin Janda Galerie (Photo by Lena Deinhardstein) via Contemporary Art Daily
Eclipse,
Malleability - XPO 2013
Computer Arts Magazine: Illustration into Animation: Simon Spilsbury
Simon Spilsbury also spills ( ahem) the beans on his award winning animations toComputer Arts:
“The transition from illustration to animation, to get my work moving, is a very tangible one,” says Simon Spilsbury. “I don’t really start by trying to make individual stills look good. Because my line is very fluid, it’s almost expected to move.”
A good example is his short animation for the Mission, a UK communication group.Simon began with the characters, after scouring though old sketchbooks for previously sketched suitable characters he then drew out additional assets needed to make them move.
‘The hypnotic fluidity needed to make animated rowers look convincing took some jiggery pokery, but nothing a day or two in After Effects couldn’t sort. It also features a great soundtrack from Wave Sound and Beatsuite, plus an inspired voiceover by Hugh Bonneville.’
Its credibility as animation - as opposed to a mobile illustration- lies in the way it moves. The viewer remains interested throughout because the movements of the characters don’t feel like an add-ons – they’re seamless. See for yourself :
IMAGE: Shahzia Sikander, “The Last Post,” 2010. HD video animation stills. Courtesy of the artist and Sikkema Jenkins & Co., New York.
Watch the artist discuss this work in a new video from the Exclusive series, Shahzia Sikander: “The Last Post”
