Based upon the novel by Somerset Maugham, The Painted Veil follows the tale of Kitty and her marriage to Walter Fane, a bacteriologist based in Hong Kong. Her reasons for marriage are somewhat questionable, at the outset it is certainly nothing to do with love, and she finds herself removed from her comfortable English life to relocate to China where she feels isolated and bitter. When Walter discovers she is having an affair, he quickly moves them both to a more remote region of the country, where he has volunteered to assist efforts to control a cholera epidemic. Here is where I feel Kitty comes of age, finds meaning. She assists the nuns in the local convent by nursing children and teaching them music. During one ‘lesson’ her playing of a popular dance tune causes much rowdiness from the children. She is quickly interrupted by one of the nuns and is asked to play “perhaps something a little more soothing”. That soothing piece is Erik Satie’s Gnossienne No. 1. On the OST, it’s performed by Lang Lang but I prefer Naomi Watts own performance in the abbey’s classroom on a dreadful honky tonk piano that’s a major third flat. Singularly moving. Walter watching from the classroom door, sees the real Kitty; courageous, caring, at once both fragile and resilient.